Nan Goldin, the subject of Laura Poitras’ Venice Film Festival-winning documentary “ All the Beauty and the Bloodshed,” is a name you probably either know well or not at all.
Is Searcher Clade the most millennial dad in all of animated moviedom? He has that telltale hipster beard. A sensitive voice sorta like Jake Gyllenhaal. And he feeds his kid avocado toast, with an egg on top.
If you don't have children, you will likely walk out of “The Son” shaken and deeply moved. If you do have kids, you may have to be eventually pulled to your feet after collapsing into a fetal ball for several hours.
Like Don DeLillo’s 1985 novel, the heart of Noah Baumbach’s “White Noise” is in the supermarket. There, in the gleaming aisles of neatly arranged cereal boxes and produce, DeLillo found America’s church: an over-lit spectacle of abundance and artificiality.
The business of making original movie sequels is often a thankless job. You can’t just do the same thing again, but you also can’t be too different either. And many watching will have their guard up from the outset, suspicious that it is ultimately just a shameless cash grab.
Holiday music might not be everyone's cup of tea, but with new records from Alicia Keys, Backstreet Boys and Debbie Gibson, there's something that might appeal to everyone at the table. So pull out the record player, light some candles and get festive — and thankful for new music.
There must be something about actor Glen Powell that casting directors associate with the heavens.
He’s played astronaut John Glenn in “Hidden Figures,” voiced a NASA official in the animated film "Apollo 10 1⁄2” and has two roles this year as a hotshot Navy aviator.
“Live at the Fillmore (1997),” Tom Petty and the Heartbreakers (Warner Records)
Listening to “Live at the Fillmore (1997)” it's easy to see why Tom Petty said at the time he thought it was a career highpoint.
Those old Hollywood newspaper flicks are great, but today’s journalists don’t run around newsrooms yelling “Get me rewrite!” Nor do they sprint across the room shouting “Stop the presses!” over the click-clack of teletype machines and manual typewriters.
Zombies had a good run. Vampires had their day in the sun. Now, it seems to be cannibals' turn for their bite at the apple.
Luca Guadagnino's “Bones and All” gives them that, and more, in casting Taylor Russell and Timothée Chalamet as a pair of young cannibals in a 1980s-set road movie that's more tenderly lyrical than most conventional romances.
“What are we eating? A Rolex?”
So quips Margot (Anya Taylor-Joy) in Mark Mylod's “The Menu” as she waits with her date, Tyler (Nicholas Hoult), a devoted foodie who has landed them a reservation at the exclusive restaurant Hawthorne.
“The Last Campaign: Sherman, Geronimo and the War for America,” by H.W. Brands (Doubleday)
Though they're mentioned in the subtitle, William Tecumseh Sherman and Geronimo often feel more like supporting players in H.W.
An early 20th century weekly comic strip created by Winsor McCay about Little Nemo’s dream world and adventures provides the very loose inspiration for Netflix’s latest big budget spectacle, “Slumberland.”
“Number One Is Walking: My Life in the Movies and Other Diversions,” by Steve Martin with drawings by Harry Bliss (Celadon):
Between the covers of this surprisingly thin memoir are truffles of humor from comedian Steve Martin’s movie career illustrated by cartoonist Harry Bliss.
“Dickens and Prince: A Particular Kind of Genius,” by Nick Hornby (Riverhead Books)
Nick Hornby has been writing about pop culture since the 1990s, most famously his obsessive love of soccer in 1992’s “Fever Pitch” and of music in “High Fidelity,” three years later.
MADISON, Wis. (AP) — “World Record,” Neil Young (Reprise)
Neil Young and his longtime band Crazy Horse return to a favorite topic with “World Record,” a double entendre title for an album that not-so-subtlety focuses squarely on the fate of the environment.
“Four,” Bill Frisell (Blue Note)
Guitarist Bill Frisell’s new jazz quartet album is like a stimulating conversation among friends who swap quick quips and insights, the shifts in mood frequent and unpredictable.
“IOTA" By Lous and the Yakuza (Columbia Records/Sony Music)
Lous and the Yakuza has peeled back the pain and drama of her debut autobiographical album, "Gore,'' to reveal a space of love and playfulness on her follow-up, “IOTA.” The Congolese-Belgian singer and songwriter does not describe her music-making process as therapeutic as some may think, it is just her way of expressing herself.
The devil works in public relations in “ Spirited,” a new spin on “A Christmas Carol” starring Will Ferrell and Ryan Reynolds. With songs by “The Greatest Showman” duo Benj Pasek and Justin Paul, big ensemble dance numbers choreographed by Chloe Arnold and special effects galore, “Spirited” it is a maximalist affair that spares no expense in its heart-on-sleeve efforts to entertain.
A movie by one of Hollywood's most successful directors that's based on his early life begins, appropriately enough, at a movie theater and ends in a movie back lot.
“The Fabelmans” is clearly a very personal film for Steven Spielberg and it's as much a coming-of-age journey as a form of expensive therapy with John Williams offering lovely mood music.
Made in the wake of tragedy, “Black Panther: Wakanda Forever” reverberates with the agony of loss, piercing the usually less consequential superhero realm.
“The 50 MGM Films that Transformed Hollywood: Triumphs, Blockbusters, and Fiascos,” by Steven Bingen (Lyons Press)
The title of film historian Steven Bingen’s new book is reminiscent of B-movie trailers of the 1950s that breathlessly hype “The Most Important Picture of the Year!” But like many of those overripe flicks, “The 50 MGM Films that Transformed Hollywood” can be entertaining, too.
“Now Is Not the Time to Panic,” by Kevin Wilson (Ecco)
For the past 25 years the bestselling author Kevin Wilson has repeated to himself a semi-poetical, semi-nonsensical phrase that evokes the self-mythologizing bravado of outlaw musicians: “The edge is a shantytown filled with gold seekers.
“There Is So Much Here,” Glen Phillips (Compass Records)
The son of a physicist, Glen Phillips has always been a cerebral singer-songwriter, and his new solo album is a thoughtful, tuneful collection of contemplations on life’s simple charms.
Next time you arrive home with aching, blistered feet after a long day, take heart: It’s not your feet that are the problem. It’s your shoes.
And that comes from the master, the late Salvatore Ferragamo, who pronounces in director Luca Guadagnino’s loving documentary “Salvatore: Shoemaker of Dreams” that in his entire career, “I have found there are no bad feet.
It is 1862 in a remote Irish village when an English nurse is called in by a local council to observe and investigate a phenomenon in the haunting new film “ The Wonder." There is, she’s told, an 11-year-old girl who has not eaten food in four months and seems to still be healthy.
In the swaggering, maximalist cinema of Alejandro Iñárritu, Iñárritu has, himself, never been all that far off the screen.
Since his blistering debut in “Amores Perros” to his seamless, surrealistic “Birdman or (The Unexpected Virtue of Ignorance),” Iñárritu’s showman-like presence has been easy to feel prodding and propelling the picture along in a ravenous hunt for transcendent images and spiritual epiphany.
A pickup truck breaking down on the street turns into a blessing of sorts in “Causeway,” a new, gentle Apple TV+ drama starring Jennifer Lawrence.
“The Revolutionary: Samuel Adams” by Stacy Schiff (Little, Brown and Co.)
Aside from the namesake beer, Samuel Adams in many ways feels like the forgotten Founding Father. Despite his contributions, no biography was written about him until about six decades after his death and no statue erected until the Revolution's centennial.
“The Passenger” by Cormac McCarthy (Alfred A. Knopf)
It’s been 16 years since Cormac McCarthy released “The Road” and won the Pulitzer Prize for fiction, cementing his reputation as a master American novelist.
“Someday, Maybe” by Onyi Nwabineli (Graydon House Books)
“Someday, maybe” is a phrase that noncommittally encapsulates hopes and fears alike. It's a response that lacks urgency, stagnating in the purgatory between “yes” and “no.”
“It’s Not TV: The Rise, Revolution and Future of HBO” by Felix Gillette and John Koblin (Viking)
Streaming and on-demand services are so commonplace nowadays, one can take for granted how revolutionary HBO was when it was first launched.
After touching the stars with Brad Pitt, filmmaker James Gray has come back to earth to explore his own childhood in “ Armageddon Time. ” Set in the fall of 1980, in Queens, it is a patient and mature work about a very specific time and place when he was anything but — age 11 and starting sixth grade.
In Phyllis Nagy's “Call Jane,” Joy (Elizabeth Banks) is a 1960s housewife married to a defense attorney (Chris Messina) with a teenage daughter (Grace Edwards) and a baby on the way.
Movie titles are always important, but there’s special significance to the title of “The Good Nurse,” based on the horrific serial killings of dozens and possibly hundreds of patients by a night nurse who injected fatal drugs into IV bags.
Just in time for Halloween comes a film that isn't afraid to lean into the darkness, one frame at a time.
In the first five minutes of “Wendell & Wild,” our teen heroine loses her parents in a car accident, her town is economically gutted and she ends up in the back of a prison bus, her legs shackled and her hands cuffed.
“I Exaggerate: My Brushes with Fame” by Kevin Nealon (Abrams Books)
It's not exactly a surprise that Kevin Nealon is a talented guy.
After all, he is an accomplished stand-up comic, sketch player, actor and even golfer, having played in more than a few pro-am tournaments over the years.
“And There Was Light: Abraham Lincoln and the American Struggle” by Jon Meacham (Random House)
Fun fact: Feb. 12, 1809, is the birthdate for both Abraham Lincoln and Charles Darwin. While we tend to contemplate “The Great Emancipator” as fully formed well before he became the 16th president, his moral perspectives and political goals developed in a gradual process more akin to Darwin’s theories.
“Ted Kennedy: A Life,” by John A. Farrell (Penguin Press)
In his new biography of Ted Kennedy, John A. Farrell describes a letter Joseph Kennedy sent his youngest son telling the teenager he had to choose between a serious or non-serious life.
“Murder at the Jubilee Rally” by Terry Shames (Severn House)
Samuel Craddock, the amiable police chief of mythical Jarrett Creek, Texas, is good at his job, but he’s got a lot to deal with in “Murder at the Jubilee Rally,” Terry Shames’s ninth novel in this genre-bending mystery series.
Meghan Trainor, “Takin' It Back” (Epic Records)
Meghan Trainor is back with that doo-wop style of music that made her famous, but this time adding a twist to it.
Her new album “Takin' It Back,” isn’t your usual journey of self love, this is a more mature Trainor.
Carly Rae Jepsen, “The Loneliest Time” (Interscope Records)
Dating in the 21st century might be a lonely time, but Carly Rae Jepsen has found a way to make an album around those experiences that’s as bright and hopeful as it is grounded.
“The Car,” Arctic Monkeys (Domino Records)
Open the door and step into the epic film reel of the Arctic Monkey's dreamy journey, “The Car” — it's quirky, expansive and deeply soulful.
The British alternative rock group is two decades into its career and has forged an oxymoronic edgy path forward in a self-assured, cinematic behemoth of a seventh album.
Even if, like me, you’ve never been to a Harry Styles concert, it's hardly difficult to comprehend his huge appeal. He’s ... Harry Styles.
Also huge, to his many fans: the very news of Styles starring in a movie.
“In the Mouth of the Wolf: A Murder, a Coverup, and the True Cost of Silencing the Press,” by Katherine Corcoran (Bloomsbury)
The confluence of corrupt governance, poverty, drug trafficking and reporters who can be bought is a dangerous place for reporters and democracy.
“Flatland Lullaby,” Joe Ely (Rack ‘em/Thirty Tigers)
Don’t assume Joe Ely’s new children’s album will have limited appeal. It’s for anyone who has ever been a kid.
One of the best films of the year, Margaret Brown's “Descendant” is, strictly speaking, about the discovery of the Clotilda, the last known slave ship.
If one were to rank the most difficult adolescent age, 11 may not be the first but it is certainly up there. It is just a horribly, hilariously awkward moment of still being very much a kid but with an agonizingly heightened awareness of all those teenage things that are just out of reach.
Not long into “Black Adam,” a preteen boy looks up at the muscled hulk of Dwayne Johnson and begs for his help: “We could use a superhero right now.” Speak for yourself, kid.
Do we need another superhero with another convoluted origin story that stretches back thousands of years and fulfills a whacko destiny?